Dating sales script

10-Apr-2017 09:26 by 9 Comments

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Or someone who spent six months as an assistant for a boutique talent agency? But when you partner, as a writer, with a specific company or producer, at least you’re making that decision with your eyes open. Or a low-level exec who has worked at a ton of great companies…You may not know they’re going to give horrible notes or guidance, but you knew who you were getting in bed with; you had an opportunity to ask around, gauge their reputation, or—at the very least—look at other movies or shows they’ve worked on. and was fired from each because he has poor development instincts.

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You get the exact right person reading your script… Maybe you’re not looking for a “creative/spiritual coach” to get in the trenches and improve your writing. It may have been read and covered by someone who has never developed an actual project.

When I was an executive (with a company based at NBC Studios and, later, Paramount), we used to have specific areas we wanted to develop in: male-driven romantic comedies, female-driven action shows, aspirational reality, whatever.

Sometimes we got more specific: spy shows about married couples, teen shows about girls with powers, family dramedies with a dog. you might have the world’s best written horror script about vampire cats terrorizing a trailer park.

Sure, they may people at those companies; they may have friends who work there, or old colleagues…

they may even have an “open invitation” to send over material.

Maybe you just want a quick opinion on the quality or sale-ability of your script. It may have been read by someone who loves anything about aliens. In other words, you have no idea what factors may be informing their opinion.

Would/could your script get through the reader/evaluation process at a network, studio, or agency? So you send in your script, and the coverage comes back positive. (And while you may not know who’s reading your script when you send it to CAA, or Universal, or Imagine… Plus, you can research these companies, understand their “personality” or what they like…even if the other readers and I rarely knew what those were.Sometimes, I would learn afterward, agents wanted the script read to see if the script had opportunities for a specific actor– or for CAA talent in while you may not know precisely who’s reading you, you can have a sense of what they might respond to.) But more importantly…The opinions of a random, generic reader do not reflect what’s sell-able.Maybe he even pays [a script coverage service] to develop a killer log line.