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I had some very tough things going on before opening night—someone in my family passed away—so every day I would be going to a show, saying words, and dealing with a situation that had to do with death and illness.This play coincided with a time when my heart really needed it. Women—and men—are interested in solutions for interpersonal problems and societal problems, and even Obama signing in an equal pay law was big. I love the writing, I love Lena’s timing, and I love her insight into female behavior. She’s even off writing New Yorker articles on the side! Our director, Sam Gold, played the theater director when Adam goes on Broadway, and she sits in on the audition when she shouldn’t have and is kicked out. The Brooklyn depicted in Girls is very different from the one you grew up in during the ‘70s and ‘80s? Brooklyn was a great place to grow up, but I’m hoping there’s still a spot for me!
No doubt for such independent lady it’s not easy to carry on a long relation.
Her smile is, in person, just as infectious as it is onscreen; a trait that’s helped make her one of those unique actors who inspires tremendous goodwill in audiences. “I haven’t eaten all day and I’m starving.”It’s hard to describe Tomei’s aura without coming off like a toadying hack, but she really does look about two decades younger than her age, 49.
The Oscar winner has only just settled into a corner table at Morandi, the cavernous Italian trattoria in New York’s West Village that she chose for our lunch, when we begin confabulating over our favorite local Italian joints. She’s sporting reading glasses and a worn-and-torn white tee, whose sleeves she rolls up to her shoulders, like a greaser.
Marisa, who came to prominence as a supporting cast member on The Cosby Show spinoff A Different World in 1987, still looked effortlessly cool and fresh-faced when she started the morning healthily at a juice bar with the How I Met Your Mother star in West Hollywood on Sunday.
Josh, 39, also dressed down in a hoodie, navy trainers and grey corduroys, looked engrossed in conversation as he and Marisa ordered a melange of blended fruit to take away before the pair ambled along the sun-dappled streets of West Hollywood yesterday.
The actress is here with me to discuss her excellent new Broadway play, The Realistic Joneses—playwright Will Eno’s singular meditation on the absurdity of mortality; like Sartre by way of David Brent.
Directed by Sam Gold, it centers on a pair of seemingly disparate married couples: steely pragmatists Jennifer (Toni Collette) and Bob Jones (Tracy Letts), and fabulists Pony (Marisa Tomei) and John Jones (Michael C. Bob, who’s suffering from a degenerative disease, finds himself at odds with the acerbic John, and attracted to the cheery Pony, which causes havoc among the newly minted neighbors.
On this public appearnce, she was make up free and also dressed up in such a way that it looks as if she just stumbled.
This casual looking breakfast totally gives us this hint that Josh is the new man in her life.
My character is a little more physical, a little more animated, but you really have to dry out the language, because the way it’s constructed and the ideas that Will is talking about, they only really seep in without the spin of actor-ly antics.
It’s not so much about the “flair” of acting, yet it takes so much discipline to deliver the humor that he wants, and also make it hit you on a gut level.
The New York Times praised the play, writing that Eno “burrows into the heart of his characters to reveal the core of their humanity: the fear and loneliness and unspoken love that mostly remains hidden beneath the surface as we plug away at life, come what may.”After perusing the menu, Tomei reaches her verdict: “I’ll do the Cacio e Pepe…