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This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online.

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His extensive familiarity with Plautiue and Terentian usage, his constructive scholarship, and his discriminating criticism have been continually at my service from the time when the first proof sheets were received from the press, more than two and a half years ago. February, 190a TABLE OF CONTENTS Mas PREFACE T INTRODUCTION 1-68 Obbek Cohsdt 1 Roman Couedt 7 Livnjs Akdboshcus 18 Fabuiae Pau-utab, arc. Copyright infringement liability can be quite severe. About Google Book Search Google's mission is to organize the world's information and to make it universally accessible and useful. Um OM COIXBOK, June, IMS PREFACE In this edition of the six extant comedies of Terence I have adopted, substantially without ehajige, the text of Professor Robert Yelvertou Tyrre U, published by the Clarendon Press tn the Scriptorum Clasaicryrum Bibltotheca Oxunitnsts. Refrain from automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. We encourage the use of public domain materials for these purposes and may be able to help. During this time the Athenians gradually abandoned their interest in public questions, and comedy, following the j Mijmlar bent, passed by degrees from personalities to generalities, and lost its former character ftnd vigour. Thin voiild tw ) aire Ui* (Umooltr Rilae U wns MS Hut " XU," aod Diiabko llimt q^ out of the tut.

The most distinguished jraets of this jyeriotl were Alexis and Antiphancs, if we except Aristophanes himself, two of whose jtlays, tlie and the Eedesiaz Ksae, are more properly classed under the Middle Comedy. Tlie New Comedy was the natural outcome of all that liail gone ore it. d k INTRODUCTION 29 were written, in part at least, by hia noble friends. rtcte, at inimieitias quinque *j^ labontm tit 867 nerita* cam C Donatiu ad Eun.

Unfortunately but few extensive fragments of these I liave come down to modern times ; and yt't these fragments are impor- tant, for they testify abundantly Ui tlie truth of what others have maid about liiin. of the elements which hare been described aa e JListing in Rome befota the introduction there, on on extensive scale, of the literature of Greece. After bringing out six comedies, between 166 and Ib O u. he died, just as he waa about to retoro to Rome with translations, which he had made in Greece, of a numba" of Menander's plays.

That his style wuh frraceful and polished is attested by Propertiua and l^iiitilitin.' wliile loth these and modern writers liave pushed fa,voura1ile judgment on bis wit and relinement of temper and ^^ diction.' Menander was born in 342 and died in 291. It b not to be inferred from oil this tliat the moral life ^^ depicted in the New Comedy waa on a high plane. The pre-ricma litemliir(« on the aubjeot uj^van in liu pap^ra. But during this early (teriod there waa little leisure oc inclination at Rome for the cultivation of poetry and letters. c, he went to Greece, probably for the pur- pose of studying Greek life and institutions, which it was his habit to portray in his comedies. Accounts rary as to the place and n Mnner of his death. si nil 315 1 im pet res, ut te arbitretur sibi paratum mo&buin, si illam duxerit.

64 Some Modern Editors 65 Lanouaob 87 TABLE OF CONTENTS r AOi C. Gilt of this there were gradually developed, thi-ough the inilue Dce exerted by the higher civilixatioa of the cities, two principal apecies of ooiiiic driuna, the Doric or Sicilian comedy, and the cimedy knows Ml Attic or Ionic, The tragic drama also is traceable to the same sonree, that is, to the songs and dances which were characteristic of the Country festivals held in honour of the god Dionv HUS.

The iiitory of tiiis deity had its dark and tragic as well as its bright and gay ik Kpects, and in giving to the sad aide of the story a dramatic form, albeit in crude and rutttic fashion, tlie country folk of ancient Greece Msnred the ends ol a drama destined to blossom forth a little later into the perfected tragedy of Athens. That tragedy was earlier than comedy in reaching maturity »hoald not be forgotten ; for it was partly on the lines laid down by tragedy that comedy itself was developed, especially in the matter of ita outward form and technique, as these appeared in the Attiu comedy of the time of Pericles. ah, rem pi'itiiis ipsam die at' iiiitto iusi Ig loqin, 6'/.

To his corrections and additions the book owes much of any value it may be found to possess. 14 Onaecs Nakvujs 18 Ti Tcs Maccics Plaxjtus 18 Qui KTUs ENMnis 23 Statios Caecilidb 28 PUBLTOB Ts REin'ics Afeb 36 Thb Six Comboibs 33 Thb Ihfluercb of Tbrbkcb upon Litbbatuub 88 Chabacters 87 Division into Five Acts 87 Drv TBi ON INTO Scenes 40 Ac TOBS AT Rome 41 COOTUMBS 48 Masks 4g Thb Thxatbb 44 Dbamatic Rbfrbbbntationb at the Public Oames .... 1-4 ORDER OF THE PLAYS 1 8IGLA 2 TEXT 8-389 LIST OP ABBREVIATIONS 1-4 NOTES AND APPENDIX TO THE ANDRIA 1 •■ •• HEAVTON TIMORVMB- NOS 83 •' " EVNVCHVS 124 " *■ PHORMIO IM " " HECYRA 214 " " ADELPHOE 252 INDEX TO THE INTRODUCTION AND NOTES 821 INTRODUCTION HISTORY OF ANCIENT COMEDY GREEK COMEDT 1, Qreek comedy (Ku/iuioia, derived from Ktup^Sot, which U itself derived frum iti'tfiot and a&tit') had its urigin in the aocgs and dances of the Tillage festival held each year at Uie time of tlie vintage. num ctigitat quid dicat '.' niuii fai-tf piget '.' uide, num 6ius color puduris signiun usquaui indieat? o Um (stuc, oliui, qucm fta animum indtixti tuom, quod ctipcres a Ii(]uo pai-to effieiuiuluni tibi, coddm die istnc iieibuni uere hi te iiceidit.